"Ave Maria" by Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Ensemble Musique Oblique was released on 2002. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 13 in Bruckner: Mass in E Minor & Motets by Anton Bruckner, Philippe Herreweghe, Ensemble Musique Oblique, La Chapelle Royale. Based on our statistics, Ave Maria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ave Maria by Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Ensemble Musique Oblique is Allegro (fast, quick, and bright), since this song has a tempo of 147 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pyotr Ilyich Tchaikovsky: The Sleeping Beauty, Op. 66 - Act 1: Pas D'Action: Coda | Pierre Monteux | F Minor | 4 | 4A | 150 BPM | ||
Requiem, Op. 48: Sanctus | Oxford Camerata, Lisa Beckley, Nicholas Gedge, Oxford Schola Cantorum, Colm Carey, Gabriel Fauré | E♭ Major | 0 | 5B | 113 BPM | ||
Messiah / Part 1: "This said the Lord... But who may abide..." | George Frideric Handel, Gwynne Howell, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 130 BPM | ||
Vesperae solennes de confessore in C, K.339: 5. Laudate Dominum omnes gentes | Wolfgang Amadeus Mozart, Emma Kirkby, Winchester College Quiristers, Winchester Cathedral Choir, Academy of Ancient Music, Christopher Hogwood | F Major | 1 | 7B | 87 BPM | ||
Angels We Have Heard On High | Benedictines of Mary, Queen of Apostles | D♭ Major | 1 | 3B | 85 BPM | ||
Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 12c, Divertissement. Tea, Chinese Dance | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle | F Major | 1 | 7B | 111 BPM | ||
De Victoria: O magnum mysterium | Tomás Luis de Victoria, Chanticleer | A♭ Minor | 1 | 1A | 77 BPM | ||
Mass No. 1 in D Minor, WAB 26: Kyrie | Anton Bruckner, Luba Orgonasova, Bernarda Fink, Christoph Prégardien, The Monteverdi Choir, Wiener Philharmoniker, John Eliot Gardiner | D Minor | 0 | 7A | 124 BPM | ||
Tantum ergo, WAB 42 | Anton Bruckner, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
Requiem: VI. The Lord is my shepherd (Christopher Hooker, oboe) | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London | F Major | 0 | 7B | 79 BPM |