Antonio Lotti, Luchini, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci's 'Ascanio: Aria: L’incauto che non teme' came out on October 20, 2023. The duration of Ascanio: Aria: L’incauto che non teme is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Ascanio: Aria: L’incauto che non teme's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci's "Il castrato del granduca - Arias for Gaetano Berenstadt" album is number 5 out of 16. On top of that, Spain appears to be the country where this track was created. Based on our statistics, Ascanio: Aria: L’incauto che non teme's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ascanio: Aria: L’incauto che non teme by Antonio Lotti, Luchini, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Shakespeare Songs: No. 1. Come Away Death | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | F♯ Major | 1 | 2B | 174 BPM | ||
Missa Sancti Christophori: Kyrie | Antonio Lotti, The Syred Consort, Ben Palmer, Orchestra of St. Paul's | F Major | 1 | 7B | 79 BPM | ||
Otcze Nasz | St. Peter St. Paul Cathedral Choir of Minsk | C Major | 0 | 8B | 84 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM | ||
Exultate Justi | Lodovico Grossi da Viadana, Voices of Ascension Chorus, Dennis Keene | A Major | 1 | 11B | 78 BPM | ||
Dixit Dominus in G Minor | Antonio Lotti, The Syred Consort, Ben Palmer, Orchestra of St. Paul's | G Minor | 1 | 6A | 105 BPM | ||
Son of God Mass: Gloria | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | D Major | 1 | 10B | 138 BPM | ||
Evening Service in B Minor, Op. 6: II. Nunc dimittis | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | G Major | 1 | 9B | 174 BPM | ||
Draw on, Sweet Night | John Wilbye, Oxford Camerata, Jeremy Summerly | D Major | 1 | 10B | 83 BPM | ||
Ecce Quomodo Moritur | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 173 BPM |