"Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna)" by Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado was released on April 29, 2008. With this song being about 5 minutes long, at 4:53, "Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna)" by Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 40 Most Beautiful Arias (international version), so we believe that "Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna)" is a single. The popularity of Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) by Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado is Presto (very, very fast), since this song has a tempo of 181 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lincke: Frau Luna: "Schlösser, die im Monde liegen" (Marie) | Paul Lincke, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
Schubert: Deutsche Messe, D. 872: No. 5, Zum Sanctus | Franz Schubert, Chor der St. Hedwigs, Kathedrale Berlin, Berliner Symphoniker, Wolfgang Meyer, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin | E♭ Major | 0 | 5B | 108 BPM | ||
Lohengrin / Act 3: "Treulich geführt ziehet dahin" | Richard Wagner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch | B♭ Major | 1 | 6B | 82 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) | George Frideric Handel, Jennifer Larmore, Jesús López-Cobos, Orchestre de Chambre de Lausanne | A♭ Major | 0 | 4B | 181 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" | Giacomo Puccini, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Ettore Bastianini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | D Major | 2 | 10B | 130 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Gounod: Roméo et Juliette, CG 9, Act 1: No. 3 "Ah! Je veux vivre dans le rêve" (Juliette) | Charles Gounod, Diana Damrau, Munich Radio Orchestra | F Major | 1 | 7B | 78 BPM |