"Sonata con tribus violinis (1677)" by Johann Heinrich Schmelzer, Tafelmusik Baroque Orchestra was released on 2000. Since Sonata con tribus violinis (1677) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Schmelzer: Sonatas, Balletti Francesi & Ciaccona". In this album, this song's track order is #4. Based on our statistics, Sonata con tribus violinis (1677)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata con tribus violinis (1677) by Johann Heinrich Schmelzer, Tafelmusik Baroque Orchestra having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a tre No. 6 in G Minor, Op. 2: IV. Allegro | Nicola Francesco Haym, Arcangelo Corelli, Cappella Musicale Enrico Stuart, Romeo Ciuffa, Chiara Strabioli, Rebeca Ferri, Marco Vitale | F Major | 1 | 7B | 128 BPM | ||
Symphony in A Major, H. 660, Wq. 182/4: II. Largo ed innocentemente | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Major | 1 | 3B | 140 BPM | ||
Airs for the Spring: Ranunculus: I. Aria: Moderato | James Oswald, The Broadside Band | F♯ Minor | 2 | 11A | 85 BPM | ||
Les Éléments: IV. Ramage : L’Air | Jean-Féry Rebel, Jordi Savall, Le Concert Des Nations | D♭ Major | 0 | 3B | 80 BPM | ||
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: II. Galliard | Matthew Locke, Phantasm, Elizabeth Kenny | E♭ Major | 1 | 5B | 115 BPM | ||
Recueil de plusieurs belles pièces de simphonies: Bransle de Mr de Luly / Bransle guay / Bransle à mener | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Sonate in D minor: I. Lentement | Anne Danican Philidor, Dorothee Oberlinger | D♭ Minor | 1 | 12A | 52 BPM | ||
Hamburg Symphony No. 4 in A Major, Wq. 182: II. Largo ed innocentemente | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 1, Le charme | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sonata a 5 in C major (arr. L. Guttler): III. Vivace | Johann Heinrich Schmelzer, Roland Straumer, Virtuosi Saxoniae, Ludwig Güttler, Michael Eckoldt, Erik Reike | C Major | 2 | 8B | 136 BPM |