"2 Nocturnes, Op. 50: No. 1, Sehr ruhig, mit innigem Ausdruck" by Dora Pejačević, Natasa Veljkovic was released on March 4, 2016. The duration of 2 Nocturnes, Op. 50: No. 1, Sehr ruhig, mit innigem Ausdruck is about 3 minutes long, at 3:27. Based on our data, "2 Nocturnes, Op. 50: No. 1, Sehr ruhig, mit innigem Ausdruck" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 52 in the song's album "Pejačević: Complete Piano Works". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. 2 Nocturnes, Op. 50: No. 1, Sehr ruhig, mit innigem Ausdruck is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2 Nocturnes, Op. 50: No. 1, Sehr ruhig, mit innigem Ausdruck by Dora Pejačević, Natasa Veljkovic having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Gadalaiki: 5. Vasaras vakara mūzika | Pēteris Vasks, Tamara-Anna Cislowska, Johannes Fritzsch, Tasmanian Symphony Orchestra | A Minor | 0 | 8A | 67 BPM | ||
LULLABY TO ETERNITY / Alice Sara Ott: Lullaby To Eternity (on fragments of W.A. Mozart's "Lacrimosa") | Alice Sara Ott | D Minor | 0 | 7A | 82 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Piano Sonata in G Minor: 2. Adagio | Clara Schumann, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 137 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM | ||
Piano Concerto, Op. 33: III. Allegro con fuoco | Dora Pejačević, Peter Donohoe, BBC Symphony Orchestra, Sakari Oramo | D♭ Minor | 1 | 12A | 114 BPM | ||
Children's Corner, L. 113: 5. The Little Shepherd | Claude Debussy, Seong-Jin Cho | A Major | 0 | 11B | 69 BPM | ||
Apres un reve, Op. 7, No. 1 (arr. I. Sztankov): 3 Songs, Op. 7: No. 1. Apres un reve (arr. for double bass and piano) | Iván Sztankov, Gabriel Fauré, Erika Tóth | A Minor | 0 | 8A | 82 BPM |