Tomaso Albinoni, London Baroque's ' "Balletto à 3 in G Major, Op. 3 No. 3: IV. Gavotta. Presto" was released on its scheduled release date, March 26, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 30 in the song's album "The trio sonata in 18th century italy". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Balletto à 3 in G Major, Op. 3 No. 3: IV. Gavotta. Presto is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Balletto à 3 in G Major, Op. 3 No. 3: IV. Gavotta. Presto by Tomaso Albinoni, London Baroque having a テンポ of 106 with a half-time of 53 テンポ and a double-time of 212 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in C Minor, QV 5:38: I. Allegro | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Minor | 2 | 3A | 96 BPM | ||
Concerto VIII in C Minor from 24 Concerti di Napoli for Recorder, 2 Violins and Basso Continuo: I. Vivace | Francesco Mancini, Barbara Heindlmeier, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.4: 1. Allegro | Tomaso Albinoni, I Musici, Pina Carmirelli | D Minor | 2 | 7A | 101 BPM | ||
Concerto in G major Seibel 215: 4. Allegro - 2/4 | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 162 BPM | ||
Trio Sonata No. 3 in G Minor, Op. 13 No. 6: I. Adagio | Jean-Marie Leclair, London Baroque | D♭ Major | 3 | 3B | 118 BPM | ||
Sonata in B-flat Major, No. 2: II. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A Major | 1 | 11B | 105 BPM | ||
Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": II. Allaman | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 1 | 4B | 82 BPM | ||
Violin Sonata in E-Flat Major: I. Allegretto | Franz Benda, Georg Kallweit, Berlin Baroque Compagney | D Major | 0 | 10B | 78 BPM | ||
Concerto Grosso No. 4 in G Minor, "Dulce somnium": V. Borea. Alla breve un poco grave | Georg Muffat, Holland Baroque Society, Matthew Halls | F♯ Minor | 3 | 11A | 104 BPM | ||
Recorder Sonata No. 12 in G Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | B Minor | 0 | 10A | 97 BPM |