Fritz Kreisler, Anonymous, Christian Lindberg, Roland Pöntinen's 'Liebesleid' came out on January 1, 1984. The duration of Liebesleid is about 3 minutes long, at 3:29. Based on our data, "Liebesleid" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Christian Lindberg's "Lindberg, Christian: Virtuoso Trombone (The)" album is number 5 out of 11. Liebesleid is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Liebesleid by Fritz Kreisler, Anonymous, Christian Lindberg, Roland Pöntinen to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
España, Op. 165: No. 3, Malagueña (Arr. F. Kreisler for Violin & Piano) | Isaac Albéniz, Fritz Kreisler, Carl Lamson | D Major | 2 | 10B | 77 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM | ||
Kreisler: La Précieuse in the Style of Louis Couperin | Fritz Kreisler, Fritz Kreisler & Michael Raucheisen | D Major | 1 | 10B | 164 BPM | ||
2 Mélodies pour le piano, Op. 3: No. 1 in F Major. Moderato assai (Arr. D. Popper for Cello & Piano) | Anton Rubinstein, Hugo Kreisler, Fritz Kreisler | D Major | 3 | 10B | 73 BPM | ||
Danza española (Arr. By Fritz Kreisler) | Manuel de Falla, Fritz Kreisler, Johann Sebastian Bach, Niccolò Paganini, Daniel Röhn, Paul Rivinius | A Minor | 3 | 8A | 105 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM |