Ray Herbeck, Al Caiola, Joe Baker, Gus Jean, Joe De Voe, Benny Stabler, Bob Bonzang, Don Jones, Sammy Heister, Fred Jagels, Chi Chi Carozza, Parker Lund, Emory Stevenson, "Lefty" Johnson, Hal Munbar's 'We'll Meet Again' came out on 1983. The duration of We'll Meet Again is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. We'll Meet Again's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Ray Herbeck and His Modern Music with Romance - 1942". In this album, this song's track order is #23. In terms of popularity, We'll Meet Again is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With We'll Meet Again by Ray Herbeck, Al Caiola, Joe Baker, Gus Jean, Joe De Voe, Benny Stabler, Bob Bonzang, Don Jones, Sammy Heister, Fred Jagels, Chi Chi Carozza, Parker Lund, Emory Stevenson, "Lefty" Johnson, Hal Munbar having a テンポ of 106 with a half-time of 53 テンポ and a double-time of 212 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Lovely Way To Spend An Evening - Alternate Version | The Ink Spots | F Major | 3 | 7B | 89 BPM | ||
If I Could Be with You One Hour Tonight | George E. Lee & His Orchestra | F Major | 2 | 7B | 124 BPM | ||
Wailin' Blues | Cellar Boys | D Minor | 4 | 7A | 149 BPM | ||
Always and Always | Mildred Bailey | G Minor | 1 | 6A | 133 BPM | ||
I'm One Hundred Percent for You | Alex Pangman | F Minor | 4 | 4A | 148 BPM | ||
If The Moon Turns Green | Carroll Gibbons And The Boyfriends | E Minor | 0 | 9A | 113 BPM | ||
Harlem Rhythm Dance (01-11-34) | Claude Hopkins | F Minor | 3 | 4A | 112 BPM | ||
Big Boy | Ray McKinley | A♭ Major | 1 | 4B | 116 BPM | ||
If I Only Had You (12- ?-45) | Valaida Snow | B♭ Major | 1 | 6B | 86 BPM | ||
College Montage - Remastered Version 1959 Original Motion Picture Soundtrack | T.W. Allen, Charles Robbins, M.W. Sheafe, A.H. Gibbs, Joe Grey, Leo Wood, Danny Kaye, Red Nichols, Five Pennies, Leith Stevens | F Minor | 5 | 4A | 202 BPM |