Igor Stravinsky, Vadim Repin made "Stravinsky / Arr. Dushkin for Violin and Piano: Divertimento from the Fairy's Kiss: IV. (c) Pas de deux. Coda" available on August 22, 2006. The duration of Stravinsky / Arr. Dushkin for Violin and Piano: Divertimento from the Fairy's Kiss: IV. (c) Pas de deux. Coda is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Stravinsky / Arr. Dushkin for Violin and Piano: Divertimento from the Fairy's Kiss: IV. (c) Pas de deux. Coda's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 109 in the song's album "The Collected Recordings of Vadim Repin". In this album, this song's track order is #33. Furthermore, we believe that the track originated from France. In terms of popularity, Stravinsky / Arr. Dushkin for Violin and Piano: Divertimento from the Fairy's Kiss: IV. (c) Pas de deux. Coda is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Stravinsky / Arr. Dushkin for Violin and Piano: Divertimento from the Fairy's Kiss: IV. (c) Pas de deux. Coda by Igor Stravinsky, Vadim Repin having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
The Soldier's Tale: Part 2, Three Dances: 3. Ragtime | Igor Stravinsky, Michael Henry Flanders, Kitty Black, Jeremy Irons, Robert Craft | G Major | 0 | 9B | 65 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Etwas bewegter (Solo: "O Glaube") | Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | A♭ Major | 0 | 4B | 81 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Spring Rounds | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 64 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 2 | 6A | 71 BPM | ||
Symphony In D Minor: 3. Allegro non troppo | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM |