"Die Schöpfung Hob. XXI:2 / Dritter Teil: 32. Duett: Holde Gattin, dir zur Seite - Der tauende Morgen" by Franz Joseph Haydn, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine was released on January 1, 1991. Since Die Schöpfung Hob. XXI:2 / Dritter Teil: 32. Duett: Holde Gattin, dir zur Seite - Der tauende Morgen is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, James Levine's "Haydn: The Creation H.21" album is number 13 out of 34. Based on our statistics, Die Schöpfung Hob. XXI:2 / Dritter Teil: 32. Duett: Holde Gattin, dir zur Seite - Der tauende Morgen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Dritter Teil: 32. Duett: Holde Gattin, dir zur Seite - Der tauende Morgen by Franz Joseph Haydn, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine to be Allegro (fast, quick, and bright) because the track has a tempo of 126 テンポ, a half-time of 63テンポ, and a double-time of 252 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Keyboard Sonata in F Major, Wq. 54/1, H. 204: I. Allegro | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Major | 1 | 7B | 67 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Viola Concerto in E-Flat Major: II. Adagio ma non troppo | Carl Friedrich Zelter, Hariolf Schlichtig, Munich Chamber Orchestra | C Minor | 0 | 5A | 58 BPM | ||
Mendelssohn: Concert Piece No. 2 in D Minor, Op. 114, MWV Q24: I. Presto | Felix Mendelssohn, Sabine Meyer, Wolfgang Meyer, Kenneth Sillito, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 116 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": II. Tempo di gavotta | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 101 BPM | ||
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 128 BPM | ||
Grand Overture in B-Flat Major, Op. 18, No. 2, W. G9: III. Presto | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | G Minor | 1 | 6A | 135 BPM |