Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm made "Le carnaval des animaux, R. 125: VII. Aquarium" available on January 1, 2009. The duration of Le carnaval des animaux, R. 125: VII. Aquarium is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Le carnaval des animaux, R. 125: VII. Aquarium's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Saint-Saens: Carnival of the Animals". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Le carnaval des animaux, R. 125: VII. Aquarium is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Le carnaval des animaux, R. 125: VII. Aquarium by Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm having a テンポ of 104 with a half-time of 52 テンポ and a double-time of 208 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schützen Quadrille | Johann Strauss II, Josef Strauss, Eduard Strauss, Zubin Mehta, Wiener Philharmoniker | B♭ Major | 4 | 6B | 106 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Presto | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | D Minor | 2 | 7A | 113 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Idil Biret, Philharmonia Orchestra, James Loughran | D Minor | 3 | 7A | 94 BPM | ||
Knall und Fall, Polka schnell, Op. 132 | Eduard Strauss, Andris Nelsons, Wiener Philharmoniker | G Major | 6 | 9B | 179 BPM | ||
Fatinitza-Marsch | Franz von Suppé, Riccardo Muti, Wiener Philharmoniker | G Major | 4 | 9B | 117 BPM | ||
Impromptus, Op. 90, D. 899: Impromptu No. 4 in A-Flat Major | Franz Schubert, Simone Dinnerstein | A♭ Major | 0 | 4B | 66 BPM | ||
Les Contes d'Hoffmann: Barcarolle | Jacques Offenbach, Valery Gergiev, Wiener Philharmoniker | D Major | 0 | 10B | 79 BPM | ||
Symphony No. 7 Op. 92: II. Allegretto (Beethoven) | Orchestra Di Padova E Del Veneto & Peter Maag | E Minor | 0 | 9A | 128 BPM | ||
3 Old Viennese Dances: 2. Liebesleid | Fritz Kreisler, Shlomo Mintz, Clifford Benson | A Major | 0 | 11B | 105 BPM | ||
Prélude, op. 28/15, Des-Dur: Sostenuto | Peter Schmalfuss | D♭ Major | 0 | 3B | 174 BPM |