"Kamui-Chikap Symphony, Op. 40: I. Ground" by Takashi Yoshimatsu, Keitaro Harada, Tokyo Symphony Orchestra had its release date on December 21, 2022. This song appears to be safe for all ages as it is not explicit. The track order of this song in Takashi Yoshimatsu, Keitaro Harada, Tokyo Symphony Orchestra's "Kamui-Chikap Symphony Op. 40 / Chikap Op. 14a" album is number 1 out of 6. On top of that, Japan appears to be the country where this track was created. Kamui-Chikap Symphony, Op. 40: I. Ground is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kamui-Chikap Symphony, Op. 40: I. Ground by Takashi Yoshimatsu, Keitaro Harada, Tokyo Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Song without Words, Op. 19, No. 6, Venetian Boat Song I | Felix Mendelssohn, Gerald Garcia | D Minor | 0 | 7A | 133 BPM | ||
Berceuse (Arr. For viola and piano) | Frank Bridge, Enikő Magyar, Tadashi Imai | B♭ Major | 0 | 6B | 84 BPM | ||
タピオラ幻景─左手のピアノのための Op.92: 風のトッカータ | Takashi Yoshimatsu, Yasuko Kawamura | B♭ Major | 0 | 6B | 92 BPM | ||
Estampes, L. 100: 1. Pagodes | Claude Debussy, Daniel Barenboim | B Major | 0 | 1B | 68 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
La source, Op. 44 | Alphonse Hasselmans, Eva Oertle, Consuelo Giulianelli | F Major | 1 | 7B | 135 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
Consolations, S172/R12: No. 2. Un poco piu mosso | Franz Liszt, Philip Thomson | B Major | 0 | 1B | 76 BPM | ||
Distant Dream Romance | Takashi Yoshimatsu, Pascal Rogé | A♭ Major | 1 | 4B | 107 BPM | ||
Feuilles d'Automne ("Autumn Leaves") | Alphonse Hasselmans, Philippa Davies, Thelma Owen | G Minor | 0 | 6A | 139 BPM |