Maureen Lipman made "One Hundred Ways to Lose a Man" available on January 1, 1986. The duration of One Hundred Ways to Lose a Man is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. One Hundred Ways to Lose a Man's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wonderful Town! (Original London Cast Recording) by Various Artists. The song's track number on the album is #4 out of 17 tracks. In terms of popularity, One Hundred Ways to Lose a Man is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since One Hundred Ways to Lose a Man by Maureen Lipman has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With One Hundred Ways to Lose a Man being at 116 テンポ, the half-time would be 58 テンポ with a double-time of 232 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tiger Rag | Heléne Yorke, Vincent Pastore, Nick Cordero, The Atta Girls Ensemble | D♭ Major | 6 | 3B | 131 BPM | ||
Oklahoma? | Dirty Rotten Scoundrels Original Broadway Cast | B Major | 4 | 1B | 116 BPM | ||
Love Can't Happen | Brent Barrett | D♭ Major | 4 | 3B | 80 BPM | ||
How Can I Wait? | Alexandra Socha | A♭ Major | 3 | 4B | 104 BPM | ||
Entr'acte / Take Back Your Mink | Faith Prince, Tina Marie DeLeone, Denise Faye, JoAnn M. Hunter, Nancy Lemenager, Greta Martin, Pascale Faye | C Minor | 2 | 5A | 77 BPM | ||
Long as I'm Here with You | Sheryl Lee Ralph, Thoroughly Modern Millie Ensemble | D Major | 5 | 10B | 111 BPM | ||
Evil Woman | Mary Testa, Jackie Hoffman, Curtis Holbrook, Anika Larsen, Kenita Miller, André Ward | E Minor | 7 | 9A | 123 BPM | ||
Babette | Kristin Chenoweth, Peter Gallagher, On The Twentieth Century Company | D Major | 4 | 10B | 117 BPM | ||
I Could Have Danced All Night | Lauren Ambrose, Linda Mugleston, My Fair Lady Ensemble | D♭ Major | 3 | 3B | 125 BPM | ||
Montage, Part 2: Nothing | Natalie Cortez | A♭ Minor | 4 | 1A | 75 BPM |