"To Thee We Sing, The Nativity and Divine Liturgy Chants, for Mixed Choir a Cappella, Op. 36" by St.Petersburg Chamber Choir, Nikolay Korniev was released on November 30, 2020. The duration of To Thee We Sing, The Nativity and Divine Liturgy Chants, for Mixed Choir a Cappella, Op. 36 is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. To Thee We Sing, The Nativity and Divine Liturgy Chants, for Mixed Choir a Cappella, Op. 36's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Nikolay Golovanov, Sacred compositions (Vol. 2)". In this album, this song's track order is #2. In terms of popularity, To Thee We Sing, The Nativity and Divine Liturgy Chants, for Mixed Choir a Cappella, Op. 36 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With To Thee We Sing, The Nativity and Divine Liturgy Chants, for Mixed Choir a Cappella, Op. 36 by St.Petersburg Chamber Choir, Nikolay Korniev having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Noble Joseph | Men's Chamber Choir of Sofia | C Major | 3 | 8B | 80 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
St. John Passion: III. Das Gebot des Glaubens | Sofia Gubaidulina, Natalia Korneva, Victor Lutsiuk, Fedor Mozhaev, Gennady Bezzubenkov, St.Petersburg Chamber Choir, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | C Minor | 1 | 5A | 79 BPM | ||
Symphony No. 18, Op. 138, "War - there is no word more cruel": III. My dear little berry, you do not know the pain that is in my heart - | Mieczysław Weinberg, Tatyana Perevyazkina, Ekaterina Shikunova, Vladimir Dobrovolsky, Zahar Shikunov, St.Petersburg Chamber Choir, St. Petersburg State Symphony Orchestra, Vladimir Lande | G Major | 2 | 9B | 116 BPM | ||
Son of God Mass: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Major | 2 | 12B | 96 BPM | ||
It Is Truly Meet | Domestik Municipal Choir of Ekaterinburg | C Major | 2 | 8B | 134 BPM | ||
Vespers, Op. 37: V. "Nyne otpushchayeshi" | Sergei Rachmaninoff, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai Korniev | F♯ Major | 0 | 2B | 135 BPM | ||
The Dormition of the Theotokos Exapostilarion, for Mixed Choir a Cappella, Oр.3 | St.Petersburg Chamber Choir, Nikolay Korniev | G Major | 2 | 9B | 116 BPM | ||
Õhtul | Kammerkoor Head Ööd Vend | E♭ Major | 0 | 5B | 141 BPM |