"Test Drive (From "How To Train Your Dragon") - Midnight Sessions at the Royal Albert Hall" by Anna Lapwood was released on April 21, 2023. The duration of Test Drive (From "How To Train Your Dragon") - Midnight Sessions at the Royal Albert Hall is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Test Drive (From "How To Train Your Dragon") - Midnight Sessions at the Royal Albert Hall's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anna Lapwood's "Midnight Sessions at the Royal Albert Hall" album is number 2 out of 5. On top of that, United States appears to be the country where this track was created. Test Drive (From "How To Train Your Dragon") - Midnight Sessions at the Royal Albert Hall is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Test Drive (From "How To Train Your Dragon") - Midnight Sessions at the Royal Albert Hall by Anna Lapwood to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
Tempus Fugit | Francesco D'andrea | G Minor | 5 | 6A | 100 BPM | ||
The Strange One | Abel Korzeniowski | E Minor | 3 | 9A | 171 BPM | ||
Family | Guy Farley | A Minor | 2 | 8A | 120 BPM | ||
Ave Maria | Johann Sebastian Bach, Charles Gounod, Anna Lapwood | F Major | 0 | 7B | 75 BPM | ||
Movie Lullaby Medley (Narnia Lullaby, Davy Jones Theme, River Lullaby) | Gabrielle Martin | E Major | 1 | 12B | 144 BPM | ||
All Things Are Quite Silent (arr. Kerry Andrew) | Traditional, Kerry Andrew, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | F Major | 1 | 7B | 86 BPM | ||
The Orville Main Title | Bruce Broughton | C Minor | 5 | 5A | 0 BPM | ||
Midnight Sonata | Howard Harper-Barnes | D♭ Major | 5 | 3B | 145 BPM | ||
Call to Adventure | Jonas B. Ingebretsen | F♯ Major | 2 | 2B | 115 BPM |