"Scheherazade: The Festival at Bagdad" by Nikolai Rimsky-Korsakov, Joakim Svenheden was released on February 1, 1999. The duration of Scheherazade: The Festival at Bagdad is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Scheherazade: The Festival at Bagdad's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Rimsky-Korsakov: Scheherezade". In this album, this song's track order is #10. In terms of popularity, Scheherazade: The Festival at Bagdad is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherazade: The Festival at Bagdad by Nikolai Rimsky-Korsakov, Joakim Svenheden having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
String Sextet In A Major: IV. Andante Expressivo | Wiener Streichsextett, Nikolai Rimsky-Korsakov | E Major | 1 | 12B | 74 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VII. Mélisande At The Spinning Wheel | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 140 BPM | ||
Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo | Johannes Brahms, David Zinman | B Major | 1 | 1B | 79 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
The Tale Of Tsar Saltan - Suite, Op. 57: 1. The Tsar's departure and Farewell | Nikolai Rimsky-Korsakov, Orchestre de la Suisse Romande, Ernest Ansermet | G Major | 3 | 9B | 99 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM |