Mario Castelnuovo-Tedesco, Zoran Dukic's 'Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 21. Que pico de oro! (What a golden beak!)' had a release date set for March 31, 2009. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 21. Que pico de oro! (What a golden beak!)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 24 in Castelnuovo-Tedesco, M.: 24 Caprichos De Goya by Mario Castelnuovo-Tedesco, Zoran Dukic. In terms of popularity, Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 21. Que pico de oro! (What a golden beak!) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 21. Que pico de oro! (What a golden beak!) by Mario Castelnuovo-Tedesco, Zoran Dukic is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in F Minor, Op. 139: II. Andante mesto | Mario Castelnuovo-Tedesco, Quartetto Adorno | D♭ Major | 1 | 3B | 80 BPM | ||
Sonatina canonica, Op. 196: III. Fandango en Rondeau | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 2 | 8A | 113 BPM | ||
ファンダンギーリョ 作品36 | Joaquín Turina, 山下 和仁 | A Major | 3 | 11B | 86 BPM | ||
Estudio de trémolo | Joaquin Clerch, Andrea González Caballero | A Minor | 1 | 8A | 89 BPM | ||
36 Caprices, Op. 20: VII. Prestissimo | Luigi Legnani, Pavel Steidl | A Major | 2 | 11B | 136 BPM | ||
Suite Del Recuerdo/Evocacion | Jose Luis Merlin | E Minor | 1 | 9A | 109 BPM | ||
Preludio o Capricho Arpeado | Gaspar Sanz, Timo Korhonen | E Minor | 1 | 9A | 114 BPM | ||
The Gnomes, Op. 77 | Ernest Shand, Alexandra Whittingham | E Minor | 4 | 9A | 130 BPM | ||
Keyboard Sonata in D Major, K.178/L.162/P.392 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | A Major | 1 | 11B | 119 BPM | ||
Suite No. 1 in D Minor: No. 4, La Bellmont (Arr. Antoine Fougeray and Feuillâtre for Guitar) | Antoine Forqueray, Raphaël Feuillâtre | E Major | 0 | 12B | 76 BPM |