"Bellini: La sonnambula, Act 1: "Come per me sereno" - "Sempre, o felice Amina" (Amina, Teresa, Notaro, Alessio, Chorus, Elvino, Rodolfo, Lisa)" by Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Eugenia Ratti, Fiorenza Cossotto, Franco Ricciardi, Giuseppe Morresi, Nicola Monti, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto was released on September 19, 2014. The duration of Bellini: La sonnambula, Act 1: "Come per me sereno" - "Sempre, o felice Amina" (Amina, Teresa, Notaro, Alessio, Chorus, Elvino, Rodolfo, Lisa) is about 3 minutes long, at 3:02. Based on our data, "Bellini: La sonnambula, Act 1: "Come per me sereno" - "Sempre, o felice Amina" (Amina, Teresa, Notaro, Alessio, Chorus, Elvino, Rodolfo, Lisa)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 34 in Bellini: La sonnambula (1957 - Votto) - Callas Remastered by Vincenzo Bellini, Maria Callas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bellini: La sonnambula, Act 1: "Come per me sereno" - "Sempre, o felice Amina" (Amina, Teresa, Notaro, Alessio, Chorus, Elvino, Rodolfo, Lisa) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bellini: La sonnambula, Act 1: "Come per me sereno" - "Sempre, o felice Amina" (Amina, Teresa, Notaro, Alessio, Chorus, Elvino, Rodolfo, Lisa) by Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Eugenia Ratti, Fiorenza Cossotto, Franco Ricciardi, Giuseppe Morresi, Nicola Monti, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucrezia Borgia / Act 2: Il segreto per esser felici | Gaetano Donizetti, Marilyn Horne, John Bröcheler, Richard van Allan, Graham Clark, Lieuwe Visser, Piero de Palma, Graeme Ewer, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 98 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda, Yvette, Bianca, Prunier, Lisette, Suzy, Rambaldo, Périchaud, Gobin, Crébillon) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | B♭ Minor | 8 | 3A | 126 BPM | ||
Puccini: Tosca, Act 3 Scene 2: "E lucevan le stelle" (Cavaradossi) | Giacomo Puccini, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Bellini: Norma, Act 1: "Ah! si! fa core e abbracciami" (Norma, Adalgisa) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 2 | 8B | 91 BPM | ||
Turandot / Act 3: "Tu che di gel sei cinta" | Giacomo Puccini, Renata Tebaldi, Mario del Monaco, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E♭ Minor | 2 | 2A | 89 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM |