"Without Your Love" by John Walker, Scott Walker had its release date on July 1, 1966. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Without Your Love's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Walker, Scott Walker's "I Only Came To Dance With You" album is number 6 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Without Your Love is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Without Your Love by John Walker, Scott Walker to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scaramouche, Op. 165d: II. Modéré | Darius Milhaud, Sebastian Manz, Martin Klett | B♭ Major | 0 | 6B | 65 BPM | ||
Slow Burning | John Walker | D Major | 5 | 10B | 160 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Danses Imaginàries IV. Dansa D'estiu | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM | ||
Dance Preludes *: No. 3. Allegro giocoso | Witold Lutosławski, Charles West, Susan Grace | B♭ Minor | 2 | 3A | 95 BPM | ||
Come Ye Thankful People, Come (Arr. for Choir & Organ) | George J. Elvey, Chancel Choir of Shadyside Presbyterian Church Pittsburgh, John Walker | F Major | 1 | 7B | 78 BPM | ||
Suite: I. Improvisation | Paul Bonneau, Sandor Rigo, Barbara Lancaricova | D♭ Major | 0 | 3B | 91 BPM | ||
Pièce de résistance | Ronald Arnatt, John Walker | E♭ Major | 1 | 5B | 99 BPM | ||
Wind Quintet in A-Flat, Op. 14: I. Allegro moderato | Gustav Holst, Elysian Wind Quintet | G Major | 1 | 9B | 125 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 1 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM |