"Tranquil Interlude" by Elena Kats-Chernin had its release date on June 21, 2005. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Tranquil Interlude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Ragtime & Blue". In this album, this song's track order is #20. In terms of popularity, Tranquil Interlude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tranquil Interlude by Elena Kats-Chernin having a テンポ of 119 with a half-time of 60 テンポ and a double-time of 238 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 1/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | ||
Adieu Nocturne No. 1 in A Minor -Adieu- | Carlos Marquez | A Minor | 1 | 8A | 99 BPM | ||
The Hours: Morning Passages (Arr. Michael Riesman) | Philip Glass, Valentina Lisitsa | C Minor | 0 | 5A | 78 BPM | ||
Elegia | Piet J. Swerts, Ataneres Ensemble, Erik Desimpelaere | B♭ Major | 1 | 6B | 183 BPM | ||
Nocturne | Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Minor | 1 | 7A | 69 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
The Witching Hour - Concerto for Eight Double Basses and Orchestra: 3. Elegy - Live At Concert Hall, Opera House, Sydney, 2016 | Elena Kats-Chernin, Australian World Orchestra, Alexander Briger, Alex Henery, Caro Vigilante, Kees Boersma, Kirsty McCahon, Matthew McDonald, Max McBride, Robert Nairn, Timothy Dunin | D Major | 2 | 10B | 115 BPM | ||
The Piano: Big My Secret | Michael Nyman, Valentina Lisitsa | D Major | 0 | 10B | 85 BPM | ||
Patchouli | Elena Kats-Chernin, Tamara Anna Cislowska | B♭ Minor | 0 | 3A | 93 BPM |