Earl Wild, John Wilson's '7 Virtuoso Etudes after Gershwin: III. The Man I Love' came out on September 30, 2022. The duration of 7 Virtuoso Etudes after Gershwin: III. The Man I Love is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. 7 Virtuoso Etudes after Gershwin: III. The Man I Love's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Upon Further Reflection". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 7 Virtuoso Etudes after Gershwin: III. The Man I Love's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 7 Virtuoso Etudes after Gershwin: III. The Man I Love by Earl Wild, John Wilson having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle, Mitsuko Uchida | B Major | 0 | 1B | 81 BPM | ||
7 Virtuoso Etudes After Gershwin: No. 3, The Man I Love | Earl Wild, Carlos Manuel Vargas | F Minor | 2 | 4A | 66 BPM | ||
Barcarolle Op. 65 No. 6 | Charles-Valentin Alkan, Pascal Amoyel | G Minor | 0 | 6A | 67 BPM | ||
La Lisonjera (The Flatterer), Op. 50 | Cécile Chaminade, Péter Nagy | D♭ Major | 1 | 3B | 132 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 32: II. Scherzo. Allegro assai | Xaver Scharwenka, Earl Wild, Erich Leinsdorf | C Minor | 1 | 5A | 101 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Lyric Pieces, Op. 12: No. 1, Arietta | Edvard Grieg, Håkon Austbø | E♭ Major | 0 | 5B | 78 BPM | ||
Carnival of the Beautiful Dresses: VI. Love Affair Valse | George Antheil, Judy Pang | G Minor | 0 | 6A | 72 BPM | ||
Six Piano Pieces, Op. 118: Intermezzo in A Major, Op. 118, No. 2 | Johannes Brahms, Murray Perahia | A Major | 0 | 11B | 111 BPM |