Lev Atovmyan, Dmitri Shostakovich, Vancouver Symphony Orchestra, Bramwell Tovey made "Ballet Suite No. 1 (arr. L. Atovmyan): IV. Polka" available on January 1, 2008. The duration of Ballet Suite No. 1 (arr. L. Atovmyan): IV. Polka is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Ballet Suite No. 1 (arr. L. Atovmyan): IV. Polka's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 16 in Borodin, A.P.: Symphony No. 2 / Khachaturian, A.I.: Gayne Ballet Suite by Bramwell Tovey. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, Ballet Suite No. 1 (arr. L. Atovmyan): IV. Polka is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ballet Suite No. 1 (arr. L. Atovmyan): IV. Polka by Lev Atovmyan, Dmitri Shostakovich, Vancouver Symphony Orchestra, Bramwell Tovey is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Forelle (The Trout) | Franz Schubert, Hellen Kwon | E Major | 0 | 12B | 125 BPM | ||
Graduation Ball - Arranged by A. Dorati from various Strauss works: Divertimenti: 4. Virtuoso Polka | Johann Strauss II, Wiener Philharmoniker, Antal Doráti | F Major | 1 | 7B | 106 BPM | ||
Louisina Polka in E-Flat Major, JB 1:1 | Bedřich Smetana, Jan Novotný | E♭ Major | 1 | 5B | 107 BPM | ||
Ballet Suite No. 1 (Ed. Lev Atovmyan): V. Waltz - Joke (The Bolt) | Dmitri Shostakovich, Emin Khatchaturian, Moscow State Symphony Orchestra | C Major | 1 | 8B | 118 BPM | ||
Carmen, Act I: No. 5, Habanera (Fondu) | Nina Pinzarrone | D Major | 1 | 10B | 87 BPM | ||
Harlequinade: Pas de deux: Female Variation | Riccardo Eugenio Drigo, Charles Mathews | A Major | 1 | 11B | 105 BPM | ||
The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation II. Coulante, Fleur de Farine (Fairy of the Enchanted Garden) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | G Minor | 4 | 6A | 189 BPM | ||
Alice in Wonderland: Act II: The Queen of Hearts | Carl Davis, Prague City Philharmonic Orchestra | B♭ Major | 1 | 6B | 144 BPM | ||
Chamber Symphony in F Major, Op. 73a (Arr. R. Barshai): I. Allegretto | Rudolf Barshai, Dmitri Shostakovich, Kyiv Virtuosi, Dmitry Yablonsky | C Major | 1 | 8B | 88 BPM | ||
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): IV. Largo | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | D♭ Major | 0 | 3B | 88 BPM |