Aureliano Pertile's 'Manon Lescaut, Aureliano Pertile: Act II- " Ah Manon mi tradisce"' came out on November 30, 2010. The duration of Manon Lescaut, Aureliano Pertile: Act II- " Ah Manon mi tradisce" is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Manon Lescaut, Aureliano Pertile: Act II- " Ah Manon mi tradisce"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Opera for ever new additions". In this album, this song's track order is #26. Manon Lescaut, Aureliano Pertile: Act II- " Ah Manon mi tradisce" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut, Aureliano Pertile: Act II- " Ah Manon mi tradisce" by Aureliano Pertile having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mefistofele, Act III: L'altra notte in fondo al mare | Arrigo Boito, Maria Callas, Philharmonia Orchestra, Tullio Serafin | D Major | 0 | 10B | 78 BPM | ||
Tosti: L'ultima canzone - Live | Francesco Paolo Tosti, Michael Fabiano | C Major | 1 | 8B | 70 BPM | ||
La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM | ||
‘Neath My Lattice Through the Night (The Rose of Persia): ‘Neath My Lattice Through the Night (The Rose of Persia) | Arthur Sullivan, Erin Morley, Gerald Martin Moore, Ransom Wilson | B Major | 1 | 1B | 117 BPM | ||
Il Pirata, Act I: Cielo! è dessa! | Vincenzo Bellini, Felice Romani, Javier Camarena, Marina Rebeka, Gustavo de Gennaro, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
La Boheme, vierter Akt: Musetta ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Donizetti: La fille du régiment, Act I: "Ah! Mes amis, quel jour de fête!" - "Pour mon âme" (Tonio, Chorus) | Gaetano Donizetti, Michael Spyres, Choeur de l'Opéra national du Rhin, Marko Letonja, Orchestre Philharmonique De Strasbourg | E♭ Major | 0 | 5B | 81 BPM | ||
Madonna fiorentina | Leo Nucci, Salotto Ottocento Ensemble | D♭ Major | 2 | 3B | 175 BPM | ||
Las Golondrinas, Escena final, I parte: "¡Era mío!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM |