"Götterdämmerung, Act 3: "Starke Scheite schichtet mir dort" (Sung in Swedish)" by Birgit Nilsson was released on July 5, 2011. Götterdämmerung, Act 3: "Starke Scheite schichtet mir dort" (Sung in Swedish) appears to be safe for all ages as it is not explicit. The song is number 5 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Götterdämmerung, Act 3: "Starke Scheite schichtet mir dort" (Sung in Swedish) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Götterdämmerung, Act 3: "Starke Scheite schichtet mir dort" (Sung in Swedish) by Birgit Nilsson is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oberon, J.306 / Act 1: "Warum musst du schlafen" | Carl Maria von Weber, Birgit Nilsson, Bavarian Radio Symphony Orchestra, Rafael Kubelík | E Major | 0 | 12B | 104 BPM | ||
Kindertotenlieder: In diesem Wetter | Gustav Mahler, Christa Ludwig, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 81 BPM | ||
Lucia di Lammermoor / Act 1: "La pietade in suo favore" | Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | ||
Die Fledermaus / Act 1: Dialog: Täubchen, das entflattert ist | Johann Strauss II, René Kollo, Lucia Popp, Julia Varady | A♭ Major | 1 | 4B | 103 BPM | ||
Salome, Op.54, TrV 215 / Scene 2: "Jauchze nicht, du Land Palästina" | Richard Strauss, Birgit Nilsson, Eberhard Wächter, Josephine Veasey, Waldemar Kmentt, Zenon Kosnowski, Heinz Holecek, Wiener Philharmoniker, Sir Georg Solti | B♭ Minor | 7 | 3A | 126 BPM | ||
Carmen, Act II: No.13 Choeur : Vivat! vivat le Torero! (Amis d'Escamillo/Zuniga/Carmen/Frasquita/Mercédès/Moralès) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 3 | 8B | 59 BPM | ||
Das Rheingold / Erste Szene: "Garstig glatter glitschriger Glimmer!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 97 BPM | ||
Puccini: Turandot, Act 3 Scene 1: "Principessa di morte! Principessa di gelo!" (Calaf, Turandot) | Giacomo Puccini, Birgit Nilsson, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 1 | 2B | 86 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Io so che alle sue pene (Suzuki/Sharpless/Pinkerton) | Giacomo Puccini, Anna Di Stasio, Carlo Bergonzi, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 0 | 6B | 132 BPM |