"Handel: The Triumph of Time and Truth, HWV 71, Act 3: "Guardian Angels, Oh, Protect me" (Beauty)" by George Frideric Handel, Jupiter, Thomas Dunford, Lea Desandre was released on November 18, 2022. Handel: The Triumph of Time and Truth, HWV 71, Act 3: "Guardian Angels, Oh, Protect me" (Beauty) is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 15 out of 22 in Eternal Heaven by George Frideric Handel, Thomas Dunford, Jupiter, Lea Desandre, Iestyn Davies. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Handel: The Triumph of Time and Truth, HWV 71, Act 3: "Guardian Angels, Oh, Protect me" (Beauty)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Handel: The Triumph of Time and Truth, HWV 71, Act 3: "Guardian Angels, Oh, Protect me" (Beauty) by George Frideric Handel, Jupiter, Thomas Dunford, Lea Desandre is Allegro (fast, quick, and bright), since this song has a tempo of 137 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Balliett & Dunford: That's so You | Doug Balliett, Thomas Dunford, Jupiter, Iestyn Davies, Lea Desandre | B Major | 1 | 1B | 183 BPM | ||
Vivaldi: Stabat Mater, RV 621: VI. Pro peccattis suae gentis | Antonio Vivaldi, Jakub Józef Orliński, Capella Cracoviensis, Jan Tomasz Adamus | E Minor | 6 | 9A | 104 BPM | ||
Fauré / Arr. Rutter: Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Edward Higginbottom, Capricorn, Choir of New College, Oxford | D♭ Major | 1 | 3B | 73 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Dido and Aeneas, Z. 626: Act III: Dido: Thy hand, Belinda; darkness shades me | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | G Major | 0 | 9B | 179 BPM | ||
Handel: Serse, HWV 40, Act 1: "Frondi tenere... Ombra mai fu" (Xerse) | Philippe Jaroussky | E Major | 1 | 12B | 75 BPM | ||
Membra Jesu nostri, BuxWV 75: Ad pedes. Sonata | Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin | C Minor | 1 | 5A | 98 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: V. Chaconne | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 94 BPM | ||
Charpentier: Celle qui fait tout mon tourment, H. 450 | Marc-Antoine Charpentier, Lea Desandre, Thomas Dunford | D♭ Minor | 0 | 12A | 126 BPM | ||
Cantata No.30 "Freue dich, erlöste Schar", BWV 30: 5. Aria: Kommt, ihr angefocht'nen Sünder | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | F Minor | 1 | 4A | 72 BPM |