"Air De Soprano Extrait De La Cantate BWV 127 - Die Seele Ruht In Jesu Handen (J.S. Bach)" by Emile Naoumoff was released on 1998. With this song being about 5 minutes long, at 5:07, "Air De Soprano Extrait De La Cantate BWV 127 - Die Seele Ruht In Jesu Handen (J.S. Bach)" by Emile Naoumoff is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Emile Naoumoff's "Jean-Sebastien Bach - Transcriptions Pour Piano" album is number 11 out of 13. In terms of popularity, Air De Soprano Extrait De La Cantate BWV 127 - Die Seele Ruht In Jesu Handen (J.S. Bach) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Air De Soprano Extrait De La Cantate BWV 127 - Die Seele Ruht In Jesu Handen (J.S. Bach) by Emile Naoumoff to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
Bagatellen: III | Valentin Silvestrov | C Major | 0 | 8B | 72 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
MAZURKA OP.67, NO.4 | Emile Naoumoff | A Major | 0 | 11B | 67 BPM | ||
6 Encores for Piano (1965): No. 3, Wasserklavier | Luciano Berio, Marino Formenti | D♭ Major | 0 | 3B | 75 BPM | ||
Sonate Op. 17, No. 2 en ut mineur: III. Prestissimo | Johann Christian Bach, Emile Naoumoff | E♭ Major | 2 | 5B | 79 BPM | ||
Requiem, Op. 48:VII. In Paradisum (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | D Major | 0 | 10B | 70 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Sonate en fa majeur, Op .99: Allegro molto | Johannes Brahms, Dominique de Williencourt, Emile Naoumoff | F Major | 0 | 7B | 65 BPM |