Henry Purcell, Emmanuelle Haïm made "Purcell: Dido and Aeneas, Z. 626, Act 1: "See, your Royal Guest appears" (Belinda, Aeneas, Dido)" available on 2003. With Purcell: Dido and Aeneas, Z. 626, Act 1: "See, your Royal Guest appears" (Belinda, Aeneas, Dido) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #9. In terms of popularity, Purcell: Dido and Aeneas, Z. 626, Act 1: "See, your Royal Guest appears" (Belinda, Aeneas, Dido) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Purcell: Dido and Aeneas, Z. 626, Act 1: "See, your Royal Guest appears" (Belinda, Aeneas, Dido) by Henry Purcell, Emmanuelle Haïm having a テンポ of 108 with a half-time of 54 テンポ and a double-time of 216 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. John Passion, BWV 245: Part II: Recitative: Die Juden aber, dieweil es der Rusttag war (Evangelist) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 1 | 11A | 86 BPM | ||
L'Orfeo, Atto terzo: II. Ecco l’atra palude | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Cécile Van De Sant, Le Concert Des Nations | F Major | 0 | 7B | 175 BPM | ||
Come, Ye Sons of Art Away, Z. 323: 3. Sound The Trumpet, Sound | Henry Purcell, Michael Chance, Timothy Wilson, Trevor Pinnock, The English Concert | D♭ Major | 2 | 3B | 85 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | ||
Xerxes Ballet: Air pour les docteurs, Frivelins et Polichinelles | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 134 BPM | ||
Concerto in D Minor, RV 535: III. Largo | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
12 Flute Sonatas (1724), Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Purcell : King Arthur : Act 5 "Your hay it is mow'd" [Bass, Chorus] | William Christie | E♭ Major | 2 | 5B | 71 BPM | ||
Les Indes galantes, Prologue, Scène 3: "La Gloire vous appelle" (Bellone, Hébé et sa suite) | Jean-Philippe Rameau, Jérôme Corréas, Les Arts Florissants, William Christie | D♭ Major | 2 | 3B | 81 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 33. Evangelista, Testis I & II, Pontifex "Und wiewohl viel falsche Zeugen herzutraten" | Johann Sebastian Bach, Collegium Vocale Gent, Andreas Scholl, Ian Bostridge, Frits Vanhulle, Philippe Herreweghe, Werner Güra | F♯ Minor | 1 | 11A | 92 BPM |