"Missa Secunda Pontificalis: Gloria" by Lorenzo Perosi, Corale Polifonica di Sommariva Bosco, Adriano Popolani, Marco Limone was released on April 19, 2019. Since Missa Secunda Pontificalis: Gloria is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lorenzo Perosi, Massimo Nosetti, Marco Limone, Michele Frezza, Coro dell'Accademia Stefano Tempia's "Lorenzo Perosi: Missa Pontificalis - Missa Secunda Pontificalis" album is number 8 out of 14. Missa Secunda Pontificalis: Gloria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Secunda Pontificalis: Gloria by Lorenzo Perosi, Corale Polifonica di Sommariva Bosco, Adriano Popolani, Marco Limone to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Agnus Dei | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | A Minor | 3 | 8A | 96 BPM | ||
Laudans exultet gaudio per doppio coro, strumenti e b. c. (Giovanni Croce 1605) | Giovanni Croce, Valvasensi Cantores et Musici, Gruppo Corale San Giovanni, Domenico Innominato, La Chambree du Roy Renée, Marco Rossi | F Major | 1 | 7B | 116 BPM | ||
Baroque Suite: III. Verset in the Dorian Mode | J. H. Reginald Dixon, Ian Hare | A Minor | 0 | 8A | 0 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Les 7 paroles du Christ: 6e Parole - "Pater, in manus tuas" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | ||
Der letzte Traum | Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert | A♭ Major | 1 | 4B | 65 BPM | ||
Ay, mi Dios | Pedro de Cristo, Coro de Câmara de Lisboa, Teresita Gutierrez Marques | B Minor | 7 | 10A | 97 BPM | ||
O Jesus, Dearest Friend to Me SHZ 320 | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen | F Major | 2 | 7B | 82 BPM |