Alba Careta, Henrio made "Udolç" available on November 2, 2023. With Udolç being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 18 in the song's album "Udolç". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Spain. Udolç is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Udolç by Alba Careta, Henrio having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
En la Pupila Revienta el Mar | Antonio Monasterio Ensamble | D♭ Minor | 8 | 12A | 134 BPM | ||
La Luna en un Boton | Julián Venegas | G Minor | 3 | 6A | 113 BPM | ||
Playtime's Over | Yannick Peeters, Tom Rainey, Frederik Leroux, Frans Van Isacker | D Major | 1 | 10B | 97 BPM | ||
Um Beijo na Boca de Sinhá | Samuel Passos, Lucia Fumero, Alba Careta, Jeffe Otto | C Minor | 6 | 5A | 120 BPM | ||
Double Portrait | Giuseppe Millaci, Vogue Trio | A Minor | 1 | 8A | 86 BPM | ||
Blue Bossa | Kristjan Randalu, Bodek Janke | F Minor | 5 | 4A | 90 BPM | ||
Awalamo saxophone play | Joshua Ngobiri | G Minor | 0 | 6A | 68 BPM | ||
We All Know All Too Well | Sara Fjeldvær | C Major | 4 | 8B | 146 BPM | ||
Where the Heck Are You? (Instrumental) | Natalie Thompson | D♭ Major | 1 | 3B | 121 BPM | ||
Nastia | Léo Labarrière | D♭ Major | 6 | 3B | 132 BPM |