"Fauré: Requiem, Op. 48: IV. Pie Jesu" by Gabriel Fauré, Daniel Barenboim, Sheila Armstrong, Orchestre de Paris was released on 1987. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 8 in Fauré: Requiem by Gabriel Fauré, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Fauré: Requiem, Op. 48: IV. Pie Jesu is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Requiem, Op. 48: IV. Pie Jesu by Gabriel Fauré, Daniel Barenboim, Sheila Armstrong, Orchestre de Paris is Vivace (lively and fast), since this song has a tempo of 176 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zwei Gesänge, Op. 91: II. Geistliches Wiegenlied | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg, Nils-Erik Sparf | C Major | 1 | 8B | 135 BPM | ||
Requiem in D Minor, Op.48: 7. In paradisum | Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner | D Major | 0 | 10B | 175 BPM | ||
Wagner: Tannhäuser, Act 2: "Den Bronnen, den uns Wolfram nannte" (Walther, Ritter, Edelfrauen) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Gunnar Gudbjörnsson, René Pape, Staatskapelle Berlin | A♭ Major | 1 | 4B | 121 BPM | ||
Fauré: Pavane, Op. 50 (Version with Chorus) | Gabriel Fauré, Daniel Barenboim, Edinburgh Festival Chorus, Orchestre de Paris | G Major | 0 | 9B | 62 BPM | ||
Zaide, K.344 / Act 1: "Ruhe sanft, mein holdes Leben" | Wolfgang Amadeus Mozart, Renée Fleming, Orchestra of St. Luke's, Sir Charles Mackerras | G Major | 0 | 9B | 85 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Tosca: Act III: E lucevan le stelle … (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Poeme d'un jour, Op. 21: No. 2. Toujours | Gabriel Fauré, Ailyn Perez, Iain Burnside | F♯ Major | 3 | 2B | 80 BPM |