On July 1, 1987, the song "Praeludium (Arr. for Brass Band by Pearce)" was released by Armas Järnefelt, Black Dyke Mills Band, Major Peter Parkes. The duration of Praeludium (Arr. for Brass Band by Pearce) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Praeludium (Arr. for Brass Band by Pearce)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 150 Years Of Black Dyke, so we believe that "Praeludium (Arr. for Brass Band by Pearce)" is a single. Based on our statistics, Praeludium (Arr. for Brass Band by Pearce)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Praeludium (Arr. for Brass Band by Pearce) by Armas Järnefelt, Black Dyke Mills Band, Major Peter Parkes is Allegro (fast, quick, and bright), since this song has a tempo of 151 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) | Robert Schumann, Lynn Harrell, Bruno Canino | F Major | 0 | 7B | 67 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Suite in E-Flat Major: II. Adagio quasi andante | Armas Järnefelt, Lahti Symphony Orchestra, Jaakko Kuusisto | D Major | 0 | 10B | 89 BPM | ||
Frosoblomster (Froso-Flowers), Book 1, Op. 16: No. 2. Sommarsang (Summer Song) | Wilhelm Peterson-Berger, Niklas Sivelov | F Major | 1 | 7B | 112 BPM | ||
Melartin : Prinsessa Ruusunen [Sleeping Beauty Suite] Op.22 : Festive March | Erkki Melartin, Kuopio Symphony Orchestra, Shuntaro Sato | C Major | 1 | 8B | 110 BPM |