"Magnificat & Nunc Dimittis in A: Magnificat" by Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha was released on October 23, 2019. Magnificat & Nunc Dimittis in A: Magnificat is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. Because this song is the only song in Magnificat & Nunc Dimittis in A: Magnificat and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. Magnificat & Nunc Dimittis in A: Magnificat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat & Nunc Dimittis in A: Magnificat by Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Burial Sentences: VI. Thou Knowest, Lord | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | B♭ Major | 1 | 6B | 124 BPM | ||
Christus factus est, WAB 11 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | D Major | 2 | 10B | 116 BPM | ||
Five Hebrew Love Songs: Lárov (Mostly) | Eric Whitacre, Eric Whitacre Singers | G Major | 1 | 9B | 95 BPM | ||
Mass brevis in C major, K.220 "Sparrow Mass": Gloria | Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor/Ann Monoyios/Elisabeth Graf/Oly Pfaff/Franz-Josef Selig, Peter Neumann, Collegium Cartusianum Köln, Collegium Cartusianum | C Major | 2 | 8B | 117 BPM | ||
Lacrimosa son io, D. 131b | Franz Schubert, Ensemble Pygmalion, Bernarda Fink, Raphael Pichon | F Major | 1 | 7B | 131 BPM | ||
Sure on this shining night, Op. 13, No. 3 | Samuel Barber, Conspirare, Craig Hella Johnson, Faith Debow | B♭ Major | 0 | 6B | 80 BPM | ||
Alleluia | Randall Thompson, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 82 BPM | ||
A Sheaf of Songs from Leinster, Op. 140: No. 3, A Soft Day | Charles Villiers Stanford, Sharon Carty, Finghin Collins | F Minor | 1 | 4A | 79 BPM | ||
Nunc dimittis in A Major | Herbert Sumsion, Chichester Cathedral Choir, James Thomas, Alan Thurlow | F♯ Minor | 1 | 11A | 69 BPM |