anon. 14th-century, Claudio Monteverdi, Gillebert de Berneville, Guillaume Dufay, Hermann, Monk of Salzburg, David Munrow, Early Music Consort Of London's 'Trumpet' came out on 1976. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in David Munrow, Early Music Consort Of London's "Instruments of Middle Age and Renaissance" album is number 17 out of 61. Trumpet is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Trumpet by anon. 14th-century, Claudio Monteverdi, Gillebert de Berneville, Guillaume Dufay, Hermann, Monk of Salzburg, David Munrow, Early Music Consort Of London to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The King of Denmarks Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork | E♭ Major | 1 | 5B | 120 BPM | ||
Au temps d'auost | Guiraut Riquier, Martin Best Medieval Ensemble | G Major | 5 | 9B | 114 BPM | ||
Queine of Ingland's Pavan & Gallyard | Anon, Trinity Baroque, The Forbury Consort, Alan Crumpler, Julian Podger, The Holbein Consort, Martin Pope, Steven Player | A Minor | 1 | 8A | 89 BPM | ||
Dances: Galliard [22] | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | F Major | 1 | 7B | 129 BPM | ||
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM | ||
Tout par compas suy composés | Baude Cordier, Ferrara Ensemble, Crawford Young | E Minor | 0 | 9A | 90 BPM | ||
Can vei la lauzeta mover | Bernat De Ventadorn, Millenarium | D Major | 1 | 10B | 185 BPM | ||
The Earle of Essex Galiard | John Dowland, Flanders Recorder Quartet | E♭ Minor | 0 | 2A | 64 BPM | ||
Cantiga No. 10, "Rosa das rosas": Rosa das rosas (CSM 10) | Alfonso X El Sabio, Unicorn Ensemble | C Major | 0 | 8B | 134 BPM | ||
Au joly boys | Claudin de Sermisy, Into the Winds | A♭ Minor | 0 | 1A | 73 BPM |