Gioachino Rossini, William Matteuzzi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly's 'La Cenerentola / Act 1: "Tutto è deserto"' had a release date set for January 1, 1993. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. La Cenerentola / Act 1: "Tutto è deserto"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La Cenerentola / Act 1: "Tutto è deserto"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Cenerentola / Act 1: "Tutto è deserto" by Gioachino Rossini, William Matteuzzi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a テンポ of 141 with a half-time of 70 テンポ and a double-time of 282 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci / Prologue: Prelude..."Si può? Signore! Signori!" | Ruggero Leoncavallo, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | G Major | 2 | 9B | 79 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Fine al rito" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | B♭ Major | 2 | 6B | 165 BPM | ||
La fille du régiment / Act 2: "Tous les trois réunis, quel plaisir mes amis!" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 2 | 10B | 95 BPM | ||
Die Fledermaus / Act 2: "Dieser Anstand, so manierlich" | Johann Strauss II, Julia Varady, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 173 BPM | ||
Il Barbiere di Siviglia: Gente indiscreta! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | D Minor | 0 | 7A | 106 BPM | ||
Armida, Act I: Sinfonia | Gioachino Rossini, Prague Sinfonia, Christian Benda | B Minor | 2 | 10A | 175 BPM | ||
I'te vurria vasà | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | G Minor | 3 | 6A | 84 BPM | ||
La Sonnambula / Act 1: Basta così | Vincenzo Bellini, Juan Diego Flórez, Ildebrando D'Arcangelo, Liliana Nikiteanu, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | F Major | 1 | 7B | 202 BPM | ||
Tosca / Act 1: "Sommo giubilo, Eccelenza!" | Giacomo Puccini, Italo Tajo, Wandsworth School Boys Choir, The London Opera Chorus, National Philharmonic Orchestra, Nicola Rescigno | B♭ Major | 4 | 6B | 110 BPM | ||
Nabucco / Act 2: Salgo già del trono aurato | Giuseppe Verdi, Ghena Dimitrova, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 4 | 8B | 81 BPM |