Gottfried von Einem, Max Lorenz, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm's 'Der Prozeß, Op. 14, Pt. 2: Und jetzt soll ich für die bank arbeiten' came out on January 1, 1953. The duration of Der Prozeß, Op. 14, Pt. 2: Und jetzt soll ich für die bank arbeiten is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Der Prozeß, Op. 14, Pt. 2: Und jetzt soll ich für die bank arbeiten's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gottfried von Einem, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm, Walter Berry's "Gottfried von Einem: Der Prozeß, Op. 14 (Live)" album is number 5 out of 19. On top of that, Germany appears to be the country where this track was created. Der Prozeß, Op. 14, Pt. 2: Und jetzt soll ich für die bank arbeiten is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Prozeß, Op. 14, Pt. 2: Und jetzt soll ich für die bank arbeiten by Gottfried von Einem, Max Lorenz, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet, Op. 56 "Voces intimae": II. Vivace | Jean Sibelius, Vertavo String Quartet | D Major | 0 | 10B | 71 BPM | ||
Abbey Road concerto for Violin and Orchestra: IV. Intermezzo 2 | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | G Major | 1 | 9B | 75 BPM | ||
An die Nachgeborenen, Op. 42: 7. Ich habe meine Augen auf zu den Bergen, Psalm 121 | Gottfried von Einem, Julia Hamari, Dietrich Fischer-Dieskau, Wiener Symphoniker, Carlo Maria Giulini, Wiener Singverein | C Major | 1 | 8B | 90 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Jesus of Nazareth - Epic Orchestral Version | Stavros Kleisiaris | E Minor | 1 | 9A | 140 BPM | ||
Philadelphia Symphony, Op. 28: 3. Allegro vivace | Gottfried von Einem, Wiener Philharmoniker, Zubin Mehta | C Major | 2 | 8B | 139 BPM | ||
Concerto for Violin, Piano and Orchestra, H. 342: I. Poco allegro | Bohuslav Martinů, Miroslav Sekera, Prague Radio Symphony Orchestra, Josef Spacek | B♭ Major | 2 | 6B | 107 BPM | ||
Serenade for Clarinet Quartet in B Major, Op. 4: I. Moderato | Ernst Krenek, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | C Major | 0 | 8B | 60 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM |