"Serse: Aria: Ombra mai fu" by Il Seminario Musicale, Gérard Lesne was released on 1995. The duration of Serse: Aria: Ombra mai fu is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Serse: Aria: Ombra mai fu's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gérard Lesne's "Gérard Lesné - Ombra mai fu" album is number 2 out of 17. Serse: Aria: Ombra mai fu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serse: Aria: Ombra mai fu by Il Seminario Musicale, Gérard Lesne to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sure on this shining night, Op. 13, No. 3 | Samuel Barber, Conspirare, Craig Hella Johnson, Faith Debow | B♭ Major | 0 | 6B | 80 BPM | ||
Orlando furioso, RV 728 / Act 1: "Sol da te, mio dolce amore" | Antonio Vivaldi, Cecilia Bartoli, Jean-Marc Goujon, Ensemble Matheus, Jean-Christophe Spinosi | E Minor | 1 | 9A | 69 BPM | ||
Petits Motets: Exaudi Deus | Jean-Baptiste Lully, Gérard Lesne, Jean-Paul Fouchécourt, François Fauche, Les Arts Florissants, William Christie | B Major | 1 | 1B | 70 BPM | ||
Second Booke of Songes: No. 2, Flow, My Teares | John Dowland, Ensemble Orlando Gibbons, Jacob Heringman, Gérard Lesne | E♭ Major | 0 | 5B | 71 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Marlene | Gérard Lesne, Massa Dominique, Shazz | C Minor | 4 | 5A | 97 BPM | ||
Laudate Dominum | Wolfgang Amadeus Mozart, Lucia Popp, Kurt Eichhorn | A Major | 1 | 11B | 132 BPM | ||
Crucifixus (8vv) | Antonio Lotti, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest | C Minor | 2 | 5A | 86 BPM | ||
Gluck: Orphée et Eurydice, Act 3: "J'ai perdu mon Eurydice" (Orphée) | Christoph Willibald Gluck, Susan Graham, Harry Bicket, Orchestra of the Age of Enlightenment | E Minor | 1 | 9A | 79 BPM |