"Danse macabre, Op. 40 (arr. F. Liszt, V. Horowitz and Y. Sudbin for piano)" by Vladimir Horowitz, Yevgeny Sudbin, Camille Saint-Saëns, Franz Liszt was released on May 6, 2013. Since Danse macabre, Op. 40 (arr. F. Liszt, V. Horowitz and Y. Sudbin for piano) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Yevgeny Sudbin's "Liszt: Funérailles - 3 Sonetti del Petrarca - Saint-Saëns: Danse macabre - Ravel: Gaspard de la nuit" album is number 10 out of 10. In terms of popularity, Danse macabre, Op. 40 (arr. F. Liszt, V. Horowitz and Y. Sudbin for piano) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Danse macabre, Op. 40 (arr. F. Liszt, V. Horowitz and Y. Sudbin for piano) by Vladimir Horowitz, Yevgeny Sudbin, Camille Saint-Saëns, Franz Liszt to be Moderato (at a moderate speed) because the track has a tempo of 110 テンポ, a half-time of 55テンポ, and a double-time of 220 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Mischa Maisky, Martha Argerich, Nelson Freire | G Major | 0 | 9B | 90 BPM | ||
Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Minor | 2 | 5A | 109 BPM | ||
Vivaldi Variation (Arr. for Piano from Concerto for Strings in G Minor, RV 156) | Antonio Vivaldi, Florian Christl | G Minor | 3 | 6A | 79 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Samson et Dalila, Op. 47: Act I: Que vois-je! Abimelech! | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | B♭ Minor | 2 | 3A | 78 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Samson et Dalila, Op. 47: Act I: Arretez, o mes freres! | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | C Minor | 2 | 5A | 126 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM |