"Der Mond ist aufgegangen: Der Mond ist aufgegangen - Arranged By Nicholas Ellis" by Johann Abraham Peter Schulz, Catrin Finch, Eliza Marshall, Nicholas Ellis, Rachel Harwood-White, Louise Watson had its release date on January 1, 2013. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Der Mond ist aufgegangen: Der Mond ist aufgegangen - Arranged By Nicholas Ellis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Catrin Finch's "Lullabies" album is number 11 out of 21. In terms of popularity, Der Mond ist aufgegangen: Der Mond ist aufgegangen - Arranged By Nicholas Ellis is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Mond ist aufgegangen: Der Mond ist aufgegangen - Arranged By Nicholas Ellis by Johann Abraham Peter Schulz, Catrin Finch, Eliza Marshall, Nicholas Ellis, Rachel Harwood-White, Louise Watson to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Lamm Gottes | Kirchenchor Waldorf | E♭ Major | 1 | 5B | 80 BPM | ||
Wie Wasser | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Minor | 1 | 8A | 121 BPM | ||
Drei geistliche Gesänge, Op. 69 "Bleib bei uns": No. 3 in F Major, Abendlied | Josef Rheinberger, Cantus Novus Wien, Thomas Holmes | F Major | 2 | 7B | 79 BPM | ||
Segenslied: Bleib bei uns, Herr | William Henry Monk, David V. Wilcocks, Bach-Chor Siegen, Ulrich Stötzel, Peter Scholl | C Major | 7 | 8B | 108 BPM | ||
Liturgy of St. John Chrysostom, Op. 31: We hymn thee | Sergei Rachmaninoff, Lynette Johnson, Dale Warland Singers, Dale Warland | E♭ Major | 0 | 5B | 169 BPM | ||
Across The Vast, Eternal Sky | Ola Gjeilo, The Choir of Royal Holloway, 12 Ensemble | B Major | 2 | 1B | 67 BPM | ||
Misa a Buenos Aires "Misatango": Sanctus | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | G Minor | 1 | 6A | 92 BPM | ||
Sig månen langsomt hæver | Johann Abraham Peter Schulz, Sankt Annæ Pigekor | A♭ Major | 0 | 4B | 169 BPM | ||
In einem kuhlen Grunde | Friedrich Gluck, Leipzig Radio Chorus, male section, Jörg Peter Weigle | B♭ Major | 1 | 6B | 97 BPM | ||
Give us the wings of faith | James Whitbourn, Westminster Williamson Voices, Ken Cowan, James Jordan | A Minor | 2 | 8A | 85 BPM |