Alexander Scriabin, Evgeny Zarafiants's '24 Preludes, Op. 11: No. 10 in C-Sharp Minor' came out on February 9, 2000. With 24 Preludes, Op. 11: No. 10 in C-Sharp Minor being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "Scriabin: Preludes, Vol. 1". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, 24 Preludes, Op. 11: No. 10 in C-Sharp Minor's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 24 Preludes, Op. 11: No. 10 in C-Sharp Minor by Alexander Scriabin, Evgeny Zarafiants having a テンポ of 121 with a half-time of 60 テンポ and a double-time of 242 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
24 Préludes, Op. 28: 2. In A Minor | Frédéric Chopin, Maurizio Pollini | D Minor | 2 | 7A | 124 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Theme | Edward Elgar, Ashley Wass | G Minor | 0 | 6A | 78 BPM | ||
Keyboard Sonata in A Major, K.429/L.132/P.132: Allegro | Domenico Scarlatti, Evgeny Zarafiants | D♭ Minor | 0 | 12A | 78 BPM | ||
Die Schone Magelone: No. 12 Muss Es Eine Trennung | Johannes Brahms, Idil Biret | E Major | 0 | 12B | 68 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | ||
6 Pezzi, P. 44: No. 3. Notturno | Ottorino Respighi, Konstantin Scherbakov | F♯ Major | 0 | 2B | 87 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM |