Francesco da Milano, Hopkinson Smith made "Ballo 'doma la donna se solo si sona'" available on November 11, 2008. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hopkinson Smith's "Il divino (Music from the World of Francesco da Milano)" album is number 10 out of 25. Ballo 'doma la donna se solo si sona' is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Ballo 'doma la donna se solo si sona' by Francesco da Milano, Hopkinson Smith to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passamezzo Antiguo. Recercada 1ª | Diego Ortiz, La Reverencia | C Major | 1 | 8B | 107 BPM | ||
Pavana chiamata la Desperata | Pietro Paolo Borrono, Paul O'Dette | E Minor | 1 | 9A | 89 BPM | ||
Suite in E Major, BWV 1006a: VI. Gigue | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Das Ander Buch. Ein New Künstlich Lautten Buch, 1549: Nach Willen Dein | Hans Neusidler, Joachim Held | G Minor | 0 | 6A | 130 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Passemezzo for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | B Major | 2 | 1B | 124 BPM | ||
Arpeggiata a mio modo (2004) | Stephen Stubbs | E♭ Minor | 0 | 2A | 84 BPM | ||
Der ander Theil des Lautenbuchs: Ein welscher tantz Wascha mesa | Hans Neusidler, Ronn McFarlane | D♭ Minor | 2 | 12A | 161 BPM | ||
Fantasia No. 1 | Giovanni Paolo Paladino, Joachim Held | B♭ Minor | 1 | 3A | 98 BPM | ||
Diferencias sobre la Gallarda Milanesa (arr. for instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | E Major | 1 | 12B | 130 BPM |