"Requiem Mass, 1605: Kyrie" by Tomás Luis de Victoria, Tenebrae, Nigel Short was released on March 28, 2011. With this song being about 5 minutes long, at 5:29, "Requiem Mass, 1605: Kyrie" by Tomás Luis de Victoria, Tenebrae, Nigel Short is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Victoria: Requiem Mass, 1605 by Tenebrae, Nigel Short. The song's track number on the album is #4 out of 32 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Requiem Mass, 1605: Kyrie is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem Mass, 1605: Kyrie by Tomás Luis de Victoria, Tenebrae, Nigel Short has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Requiem Mass, 1605: Kyrie being at 76 テンポ, the half-time would be 38 テンポ with a double-time of 152 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sergei Rachmaninoff: Bogoróditse Dévo | Sergei Rachmaninoff, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 135 BPM | ||
The Call (From 'Five Mystical Songs') (Arr. Harry D Bennett) | Ralph Vaughan Williams, Apollo5 | F Minor | 0 | 4A | 73 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
8 Part-Songs, Op.119: No. 3, The Blue Bird | Charles Villiers Stanford, Tenebrae, Nigel Short | F♯ Major | 0 | 2B | 78 BPM | ||
Requiem Mass, 1605: Agnus Dei II | Tomás Luis de Victoria, Tenebrae, Nigel Short | D Major | 1 | 10B | 133 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Celeste beneficium - Audiutorium nostrum | Jean Mouton, Capilla Flamenca, Patrick Denecker | F Major | 2 | 7B | 132 BPM | ||
The Cloths Of Heaven | Rebecca Dale, Robert Frost, Victoria Meteyard, Richard Harwood, Ben Dawson, Tenebrae, Nigel Short, Philharmonia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Nunc aperuit nobis | Hildegard von Bingen, Sequentia, Barbara Thornton | A Major | 0 | 11B | 127 BPM | ||
Songs of Farewell: My Soul, There is a Country | Hubert Parry, Tenebrae, Nigel Short | G Major | 1 | 9B | 77 BPM |