Robert Jones, Emma Kirkby, David Thomas, Anthony Rooley, Trevor Jones's 'Whither Runneth My Sweetheart' had a release date set for August 1, 1980. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Whither Runneth My Sweetheart's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Pastoral Dialogues". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Whither Runneth My Sweetheart is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Whither Runneth My Sweetheart by Robert Jones, Emma Kirkby, David Thomas, Anthony Rooley, Trevor Jones having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jhon Come Kisse Me Now (Arr. Pierini for Soprano and String Quartet) | William Byrd, Claudia Barainsky, Delian Quartett | C Minor | 0 | 5A | 72 BPM | ||
Tallis: Remember not, O Lord God - 3. From age to age | Thomas Tallis, The Tallis Scholars, Peter Phillips | A♭ Major | 1 | 4B | 80 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Missa S. Marcellini: IV. Gloria - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | E♭ Major | 2 | 5B | 96 BPM | ||
Missa Ecce quam bonum: Osanna II | Jacob Clemens non Papa, The Brabant Ensemble, Stephen Rice | B♭ Minor | 1 | 3A | 95 BPM | ||
Lullaby for a sister | Héloïse Werner, Colin Alexander | C Minor | 0 | 5A | 78 BPM | ||
Repons: Eram quasi agnus | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | E Major | 1 | 12B | 173 BPM | ||
Introitus: II. Te decet hymnus Deus in Sion | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 81 BPM | ||
Fair Oriana, seeming to wink at folly | Robert Jones, I Fagiolini, Robert Hollingworth | F Major | 1 | 7B | 86 BPM | ||
Recercadas del Trattado de Glosas: Recercada segunda sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | D Minor | 0 | 7A | 114 BPM |