On 1962, the song "So You Want to Write a Fugue?" was released by Glenn Gould, Juilliard String Quartet, Vladimir Golschmann. With this song being about 5 minutes long, at 5:07, "So You Want to Write a Fugue?" by Glenn Gould, Juilliard String Quartet, Vladimir Golschmann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Glenn Gould's "Glenn Gould & Chamber Music" album is number 2 out of 10. On top of that, United States appears to be the country where this track was created. So You Want to Write a Fugue? is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of So You Want to Write a Fugue? by Glenn Gould, Juilliard String Quartet, Vladimir Golschmann to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Lyric Pieces Book IV, Op. 47: No. 3 Melodie | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 73 BPM | ||
Gnossiennes: No. 6 | Erik Satie, Pascal Rogé | B♭ Major | 0 | 6B | 66 BPM | ||
4 Impromptus Op. 142, D.935: No. 2 in A Flat Major: Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 70 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Concerto in G minor, after unknown, BWV 983: Adagio | Ivo Janssen | G Minor | 0 | 6A | 72 BPM | ||
Intermezzo No. 6 in E-Flat Minor, Op. 118 - Andante, largo e mesto - Remastered | Johannes Brahms, Glenn Gould | B♭ Minor | 0 | 3A | 122 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM |