Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay's 'A Fugal Concerto, Op. 40: III. Allegro' came out on January 1, 2002. The duration of A Fugal Concerto, Op. 40: III. Allegro is about 3 minutes long, at 3:08. Based on our data, "A Fugal Concerto, Op. 40: III. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Karoly Botvay's "Holst, G.: St. Paul's Suite / A Fugal Concerto / Britten, B.: Simple Symphony / Walton, W.: 2 Pieces for Strings" album is number 7 out of 15. On top of that, Germany appears to be the country where this track was created. Based on our statistics, A Fugal Concerto, Op. 40: III. Allegro's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Fugal Concerto, Op. 40: III. Allegro by Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay to be Allegro (fast, quick, and bright) because the track has a tempo of 144 テンポ, a half-time of 72テンポ, and a double-time of 288 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Antique: III. Aria | John Rutter, Christopher D. Lewis, John McMurtery, West Side Chamber Orchestra, Kevin Mallon | E Minor | 0 | 9A | 127 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 5 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 1 | 12B | 105 BPM | ||
Tippett: Little Music for String Orchestra: IV. Finale. Vivace | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Organ Concerto No. 6 in B-Flat Major, Op. 4, No. 6, HWV 294 (version for harp and orchestra): I. Allegro | George Frideric Handel, Andrea Vigh, Budapest Strings, Karoly Botvay | B♭ Major | 1 | 6B | 95 BPM | ||
Serenade on Old Graz Contredanses, Op. 83b: V. Menuet | Jenő Takács, The Georgian Chamber Orchestra Ingolstadt, Evan Alexis Christ | A Major | 2 | 11B | 103 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 160 BPM | ||
Concerto for Oboe, Violin and Cello in D Major: I. Allegro moderato | Antonio Salieri, Lajos Lencsés, Bela Banfalvi, Karoly Botvay, Budapest Strings | D Major | 2 | 10B | 131 BPM | ||
Oboe Concerto in C Major, Hob.VIIg:C1: I. Allegro spirituoso | Franz Joseph Haydn, Lajos Lencsés, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 135 BPM | ||
Fantasia symphonica: III. Allegro scherzoso | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | F Major | 1 | 7B | 94 BPM |