George Frideric Handel, London Baroque made "Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: II. Allegro" available on August 31, 2001. The duration of Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: II. Allegro is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Emma Kirkby, London Baroque's "Handel: Salve Regina / Trio Sonata in G Minor / Laudate Pueri" album is number 11 out of 27. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: II. Allegro's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: II. Allegro by George Frideric Handel, London Baroque to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mensa sonora / PARS I (In D Major): 3. Courante | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 65 BPM | ||
Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo | Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 81 BPM | ||
Violin Sonata No. 2 in F Major: III. — | Gottfried Finger, Veronika Skuplik, Andreas Arend | E Major | 3 | 12B | 135 BPM | ||
Cello Sonata in C major, Op.5, No.3: 3. Affettuoso | Francesco Geminiani, Heinrich Schiff, Ton Koopman, Jaap Ter Linden | C Minor | 0 | 5A | 173 BPM | ||
Concerto grosso in B-Flat Major, Op. 6, No. 7 HWV 325: I. Largo | George Frideric Handel, The English Concert, Trevor Pinnock, Simon Standage, Elizabeth Wilcock | B Minor | 2 | 10A | 121 BPM | ||
Concerto in D Major | Johann Friedrich Fasch, Vienna Pro Musica, Vinzenz Hladky, Elfriede Kunschak | D Major | 3 | 10B | 119 BPM | ||
Sonata a 7 for 2 Trumpets in D Major: I. Grave | Petronio Franceschini, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | E Minor | 1 | 9A | 66 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): IV. Gigue | Johann Gottlieb Goldberg, London Baroque | B Major | 3 | 1B | 139 BPM | ||
Violin Concerto in F Major, D. 61: I. Allegro | Giuseppe Tartini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | E Major | 3 | 12B | 92 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM |