Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music made "Concerto in E Major for Violin, BWV 1042: Concerto in E Major for Violin, BWV 1042: I. Allegro" available on 1997. Since Concerto in E Major for Violin, BWV 1042: Concerto in E Major for Violin, BWV 1042: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Andrew Manze, Rachel Podger, Academy of Ancient Music's "J.S. Bach: Solo & Double Violin Concertos" album is number 7 out of 12. In terms of popularity, Concerto in E Major for Violin, BWV 1042: Concerto in E Major for Violin, BWV 1042: I. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto in E Major for Violin, BWV 1042: Concerto in E Major for Violin, BWV 1042: I. Allegro by Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music to be Andante (at a walking pace) because the track has a tempo of 102 テンポ, a half-time of 51テンポ, and a double-time of 204 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 6 in D minor, BWV 851 | Luc Beauséjour | D♭ Minor | 5 | 12A | 125 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim | G Minor | 4 | 6A | 93 BPM | ||
Concerto for Violin and Strings in E, Op.8, No.1, R.269 "La Primavera": 2. Largo | Antonio Vivaldi, Christopher Hirons, Nigel North, Academy of Ancient Music, Christopher Hogwood | C Minor | 1 | 5A | 77 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
Symphonie Nr. 104 D-Dur " Dudelsack " - Adagio-Allegro | Musici di San Marco, Alberto Lizzio | D Major | 2 | 10B | 125 BPM | ||
Symphony No. 1 in D major, Wq. 183/1: Symphony No. 1 in D major, Wq. 183/1: III. Presto | Carl Philipp Emanuel Bach, The English Concert, Andrew Manze | D♭ Major | 2 | 3B | 119 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Concerto Grosso, Op. 6, No. 12 in B Minor (HWV 330): Allegro | George Frideric Handel, Academy of Ancient Music, Andrew Manze | B♭ Minor | 3 | 3A | 126 BPM |