Pieter Jan Leusink, Urker Mannen Ensemble, Martin Mans made "Laat Sangh en Spel" available on June 1, 2005. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vaderlandse & Bevrijdingsliederen by Pieter Jan Leusink, Urker Mannen Ensemble, Martin Mans. The song's track number on the album is #12 out of 20 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Laat Sangh en Spel is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Laat Sangh en Spel by Pieter Jan Leusink, Urker Mannen Ensemble, Martin Mans has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Laat Sangh en Spel being at 116 テンポ, the half-time would be 58 テンポ with a double-time of 232 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduzione | Franz Joseph Haydn, Edoardo Bellotti, Maurizio Salerno | A Major | 1 | 11B | 81 BPM | ||
Mass in D Major, Op. 86, B. 153: VI. Agnus Dei | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 137 BPM | ||
Missa in D-Dur, KV194: Kyrie | Chor und Orchester von St. Augustin, Alexander Kaimbacher, Klemens Sander, Cornelia Horak, Martina Steffl, Andreas Pixner | D Major | 2 | 10B | 91 BPM | ||
Trio en Koraal, Psalm 6: 'O Heer, Gij Zijt Weldadig' | Feike Asma | B Minor | 1 | 10A | 71 BPM | ||
Der Herr ist mein getreuer Hirt, P81 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | ||
Vesper Voluntaries, Op. 14: No. 5 | Edward Harte | D Minor | 1 | 7A | 94 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | D♭ Major | 3 | 3B | 114 BPM | ||
Gott Hilf Mir, BuxWV 34: Concerto Fürchte dich nicht | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter Kooij, Paul Dombrecht | F♯ Minor | 1 | 11A | 82 BPM | ||
Eilt zu, ruft laut, ihr längst verlangten Boten, TWV 1:415: No. 2, Was macht dein göttlich wahrer Mund | Georg Philipp Telemann, Hanna Herfurtner, Carola Gunther, Mirko Ludwig, Fabian Strotmann, Peter Kooij, Die Kölner Akademie, Michael Alexander Willens | F♯ Major | 1 | 2B | 95 BPM |