"In trutina from Carmina Burana" by Carl Orff, Joshua Bell, Michael Stern was released on September 1, 2006. The duration of In trutina from Carmina Burana is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. In trutina from Carmina Burana's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Voice of the Violin by Joshua Bell. The song's track number on the album is #9 out of 15 tracks. In terms of popularity, In trutina from Carmina Burana is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since In trutina from Carmina Burana by Carl Orff, Joshua Bell, Michael Stern has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With In trutina from Carmina Burana being at 93 テンポ, the half-time would be 46 テンポ with a double-time of 186 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM | ||
Mascagni: Cavalleria rusticana: Intermezzo | Pietro Mascagni, Mariss Jansons, Oslo Philharmonic Orchestra | F Major | 1 | 7B | 88 BPM | ||
Gymnopédie No. 1 (Orch. Debussy) | Erik Satie, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 0 | 8A | 67 BPM | ||
Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 0 | 4B | 71 BPM | ||
Piano Concerto No.2 in F, Op.102: 2. Andante | Dmitri Shostakovich, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | C Minor | 0 | 5A | 72 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VI. Were diu werlt alle min (Were the world all mine) | John Krance, Carl Orff, Florida All-State Symphonic Band, Richard Clary | C Major | 3 | 8B | 74 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 2, Romance. Andante tranquillo | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 1 | 7A | 90 BPM | ||
Ständchen, D. 957, No. 4 (Arr. for Clarinet and Chamber Ensemble) | Franz Schubert, Fabio Di Casola | G Minor | 1 | 6A | 124 BPM |