"Londonderry Air, "Farewell to Cucullain" (arr. J. Heifetz for violin and piano)" by Jascha Heifetz, Traditional, Lucio Degani, Andrea Rucli was released on October 7, 2014. With this song being about 5 minutes long, at 4:31, "Londonderry Air, "Farewell to Cucullain" (arr. J. Heifetz for violin and piano)" by Jascha Heifetz, Traditional, Lucio Degani, Andrea Rucli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 18 in A War Concert: Transcriptions by Jascha Heifetz by Jascha Heifetz, Lucio Degani. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Londonderry Air, "Farewell to Cucullain" (arr. J. Heifetz for violin and piano) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Londonderry Air, "Farewell to Cucullain" (arr. J. Heifetz for violin and piano) by Jascha Heifetz, Traditional, Lucio Degani, Andrea Rucli is Andante (at a walking pace), since this song has a tempo of 103 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
A Song Sonata: Madly Dancing | Robert Russell Bennett, Jascha Heifetz, Brooks Smith | F Major | 2 | 7B | 70 BPM | ||
6 Songs, Op. 34: No. 2, On Wings of Song, MWV K 86 (Take 3) [Arr. for Violin & Piano] | Joseph Achron, Felix Mendelssohn, Jascha Heifetz, Unknown Artist | B♭ Major | 3 | 6B | 65 BPM | ||
Introduction and Rondo Capriccioso - 9/3/1945 | Jascha Heifetz | F Major | 3 | 7B | 109 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Jascha Heifetz, Walter Hendl | B♭ Major | 2 | 6B | 101 BPM | ||
Grand Caprice on Schubert's "Der Erlkönig", Op. 26. Presto | Heinrich Wilhelm Ernst, Ning Feng | C Major | 2 | 8B | 67 BPM | ||
Castelnuovo-Tedesco: Alt-Wien, Op. 30 (Arr. for Violin and Piano by Jascha Heifetz) | Mario Castelnuovo-Tedesco, Jascha Heifetz | G Major | 2 | 9B | 132 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Jascha Heifetz, Fritz Reiner, Chicago Symphony Orchestra | G Major | 3 | 9B | 98 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | D♭ Minor | 6 | 12A | 160 BPM |