On October 20, 2007, the song "De retour à la caserne" was released by Natalie Dessay, Ensemble Agora. The duration of De retour à la caserne is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. De retour à la caserne's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Natalie Dessay, Ensemble Agora's "La boîte à joujoux" album is number 4 out of 13. On top of that, France appears to be the country where this track was created. In terms of popularity, De retour à la caserne is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of De retour à la caserne by Natalie Dessay, Ensemble Agora to be Moderato (at a moderate speed) because the track has a tempo of 113 テンポ, a half-time of 56テンポ, and a double-time of 226 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ariadne auf Naxos, Op. 60 / Prologue: Nein, Herr, so kommt es nicht | Richard Strauss, Natalie Dessay, Anne Sofie von Otter, Albert Dohmen, Staatskapelle Dresden, Giuseppe Sinopoli | E♭ Minor | 1 | 2A | 93 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants | F♯ Minor | 0 | 11A | 80 BPM | ||
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
Delibes: Lakmé, Act 3: "Sous le ciel tout étoilé" (Lakmé) | Léo Delibes, Michel Plasson, Natalie Dessay, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | C Minor | 0 | 5A | 172 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: La femme dont le coeur (Eurydice) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 106 BPM | ||
Detour Ahead | Herb Ellis, John Frigo, Lou Carter, Natalie Dessay, The Paris Mozart Orchestra, Claire Gibault | G Major | 2 | 9B | 125 BPM | ||
Debussy: Les Elfes, L. 25 | Claude Debussy, Natalie Dessay, Philippe Cassard | C Major | 1 | 8B | 80 BPM | ||
Orphée aux enfers, ACT 2, Troisième tableau: un roi de Béotie - Le boudoir de Pluton: Ah je le savais (Eurydice/Jupiter/Pluton/John Styx/Cupidon) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 0 | 9B | 117 BPM | ||
Compartment C, Car 293 | Graciane Finzi, Natalie Dessay, The Paris Mozart Orchestra, Claire Gibault | F♯ Major | 2 | 2B | 143 BPM | ||
Debussy: Fête galante, L. 31 | Claude Debussy, Natalie Dessay, Philippe Cassard | G Major | 1 | 9B | 73 BPM |